Wednesday, November 27, 2019

What Other Creative Projects Have I Been Involved With In My Past Lives?

Photo by Denise Jans on Unsplash
Lori: Why am I suddenly writing a musical?

Hilarion: There was an interesting play that was put together in your last intermissive. (the time between lives, AKA "the afterlife") A chance in which many from all different places could contribute. It was a little different from the way in which you see plays now. You would pretty much present it after it had reached some stage of solidity. It would change slightly perhaps from night to night but pretty much you were trying to improve it but not change it radically. But, that was the intent of this play so that a beginning place, an understanding, an awareness and a script and many important energies. There was a deliberate attempt here to chart and work with the higher history, in particular spiritual history of Earth, particularly in the late 20th and early 21st century looking at this as based upon the 19th and 20th centuries and how those energies were understood and worked with.

Then, collecting information and looking at how the audience responded, a new play was created for the following night. Various script changes could be made. Energetics could be significantly shifted. Some of the underlying ideas might remain the same but many others could change. But, the clear intent from the very beginning was all of it was up for grabs and any of it could be modified or shifted as needed.

This is quite different from improv. In improv, in the very moment the shifts can be made and it was clear intent amongst all of those creating this that those such could be applied as necessary to further evolve the larger intent. This was not improv. That it was scripted, understood, memorized, rehearsed until you were ready. You always had the option so that if things could not be prepared sufficiently that you could put forward when the performance would be. You would not have to do it on a nightly basis but in point of fact you did continue with this.

Now, of course, night and day at the higher dimensions are quite different. Generally, to say in a rather regular and repeated pattern of that which related to how people might come together with the night energies to view and be a part of a play done for community. This was done on a regular basis for what would be like, in human terms, ”about a year.” Doing this on a regular basis forced you to understand the possibilities for changes, forced you to practice over and over memorization abilities, various capacities you would have working with different characters and different ideas. But, at the same time to bring this together in such a way that the creativity could clearly be magnified, focused on and be playful.

In working with this it was a great inspiration and not just to you as you had extra-terrestrials, various nonphysical beings and all kinds of others involved in such. Think of this from this point of view, if you were to create a training, a place of inspiration, a place that might bring in new ideas or contexts for an individual who was interested in the play as a form when she would incarnate, what kind of activities would you encourage her to do on the other side?  Of course you would have the very basic ones of screenwriting or directing or looking at stage mechanics or technologies but very quickly you go beyond that.  Very quickly you understand that it is at the core basis of the form itself that you are going to get the greatest inspiration, push the boundaries and make you much better at any aspect of this that you might drop into.

So, this was a very useful, fun, creative activity that of course had a lot of fans, a lot of enjoyment, you would never know coming to such a thing. What are they putting on tonight? What energy might be shared? How might it be different from a week before or a month before or even from just the night before? This is a provocative notion and one that would probably be very difficult to manifest right now in the world successfully. But, still it was of great inspiration and importance to many.

There were other creative endeavors, some involving mutual inspiration of some individuals who might then come forth to bring music and beautiful forms of poetry, dance or other things to the world. One of these was a period of time you spent inspiring individuals for a few years, there were many involved with this and they expressed many of the important energies of the time and did so by at times reaching through channeling, to create songs, to bring through ideas that didn't make sense until they were all brought together and then could be created in a musical form. You and the others were able at times to bring inspiration and help to others and in preparation for coming into this life. It was important to you to have this as a sort of a reminder that you could from the other side, inspire, motivate, or shift the consciousness of people here in the world. For what reason? So that you would also be inspired, shifted, motivated. That your consciousness might be shifted by guides, helpers, those of creative inspiration and understanding at higher dimensional levels once you came here.

You are also had opportunity to work in a completely different area when you asked the very question, “what is creativity? What does this mean? What is the expressive? What is this energy flowing through? What is it? “ In contacting and understanding it you saw of its great similarity to something quite undeveloped, that shows up in a small child. Something perhaps at six months of age or one year of age or before it even comes to what would even be considered artistic or formed in some way recognized by the adults. It was an energy that you also sought through your own creative efforts to magnify, to strengthen, and to share.

For a brief period you acted in a very interesting way to dance with those who were seeking to be born soon. A dance that was to magnify energy that would draw through a vortex to experience in its purest form. No idea of interpretation or understanding simply the moving of the energy itself, that this could be helpful to a child who sought to become physical and eventually perhaps to be involved in movement or dance or to know that the physical body needed attention by moving. That was unimportant how it actually manifested. It was the purity of the form itself. There were many who shared in this and were inspired by it both at nonphysical and preparation for physical and physical levels.

In all of these cases these were seen as creative rather than contemplated. The pure creativity itself, the energy of the transfer and the inspiration, this was more important than that it was good, that other people cared, that it was useful or helpful and paradoxically it so frequently was. Because it was liberated in this way could be beneficial, could be helpful.These would seem to be the three activities of more intent and time. You know, creative effort at the nonphysical level is very different from creativity at the physical level as you can see.

April 29, 2015

http://hilarion.com