What Other Creative Projects Have I Been Involved With In My Past Lives?

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Lori: Why am I suddenly writing a musical?

Hilarion: There was an interesting play that was put together in your last intermissive. (the time between lives, AKA "the afterlife") A chance in which many from all different places could contribute. It was a little different from the way in which you see plays now. You would pretty much present it after it had reached some stage of solidity. It would change slightly perhaps from night to night but pretty much you were trying to improve it but not change it radically. But, that was the intent of this play so that a beginning place, an understanding, an awareness and a script and many important energies. There was a deliberate attempt here to chart and work with the higher history, in particular spiritual history of Earth, particularly in the late 20th and early 21st century looking at this as based upon the 19th and 20th centuries and how those energies were understood and worked with.

Then, collecting information and looking at how the audience responded, a new play was created for the following night. Various script changes could be made. Energetics could be significantly shifted. Some of the underlying ideas might remain the same but many others could change. But, the clear intent from the very beginning was all of it was up for grabs and any of it could be modified or shifted as needed.

This is quite different from improv. In improv, in the very moment the shifts can be made and it was clear intent amongst all of those creating this that those such could be applied as necessary to further evolve the larger intent. This was not improv. That it was scripted, understood, memorized, rehearsed until you were ready. You always had the option so that if things could not be prepared sufficiently that you could put forward when the performance would be. You would not have to do it on a nightly basis but in point of fact you did continue with this.

Now, of course, night and day at the higher dimensions are quite different. Generally, to say in a rather regular and repeated pattern of that which related to how people might come together with the night energies to view and be a part of a play done for community. This was done on a regular basis for what would be like, in human terms, ”about a year.” Doing this on a regular basis forced you to understand the possibilities for changes, forced you to practice over and over memorization abilities, various capacities you would have working with different characters and different ideas. But, at the same time to bring this together in such a way that the creativity could clearly be magnified, focused on and be playful.

In working with this it was a great inspiration and not just to you as you had extra-terrestrials, various nonphysical beings and all kinds of others involved in such. Think of this from this point of view, if you were to create a training, a place of inspiration, a place that might bring in new ideas or contexts for an individual who was interested in the play as a form when she would incarnate, what kind of activities would you encourage her to do on the other side?  Of course you would have the very basic ones of screenwriting or directing or looking at stage mechanics or technologies but very quickly you go beyond that.  Very quickly you understand that it is at the core basis of the form itself that you are going to get the greatest inspiration, push the boundaries and make you much better at any aspect of this that you might drop into.

So, this was a very useful, fun, creative activity that of course had a lot of fans, a lot of enjoyment, you would never know coming to such a thing. What are they putting on tonight? What energy might be shared? How might it be different from a week before or a month before or even from just the night before? This is a provocative notion and one that would probably be very difficult to manifest right now in the world successfully. But, still it was of great inspiration and importance to many.

There were other creative endeavors, some involving mutual inspiration of some individuals who might then come forth to bring music and beautiful forms of poetry, dance or other things to the world. One of these was a period of time you spent inspiring individuals for a few years, there were many involved with this and they expressed many of the important energies of the time and did so by at times reaching through channeling, to create songs, to bring through ideas that didn't make sense until they were all brought together and then could be created in a musical form. You and the others were able at times to bring inspiration and help to others and in preparation for coming into this life. It was important to you to have this as a sort of a reminder that you could from the other side, inspire, motivate, or shift the consciousness of people here in the world. For what reason? So that you would also be inspired, shifted, motivated. That your consciousness might be shifted by guides, helpers, those of creative inspiration and understanding at higher dimensional levels once you came here.

You are also had opportunity to work in a completely different area when you asked the very question, “what is creativity? What does this mean? What is the expressive? What is this energy flowing through? What is it? “ In contacting and understanding it you saw of its great similarity to something quite undeveloped, that shows up in a small child. Something perhaps at six months of age or one year of age or before it even comes to what would even be considered artistic or formed in some way recognized by the adults. It was an energy that you also sought through your own creative efforts to magnify, to strengthen, and to share.

For a brief period you acted in a very interesting way to dance with those who were seeking to be born soon. A dance that was to magnify energy that would draw through a vortex to experience in its purest form. No idea of interpretation or understanding simply the moving of the energy itself, that this could be helpful to a child who sought to become physical and eventually perhaps to be involved in movement or dance or to know that the physical body needed attention by moving. That was unimportant how it actually manifested. It was the purity of the form itself. There were many who shared in this and were inspired by it both at nonphysical and preparation for physical and physical levels.

In all of these cases these were seen as creative rather than contemplated. The pure creativity itself, the energy of the transfer and the inspiration, this was more important than that it was good, that other people cared, that it was useful or helpful and paradoxically it so frequently was. Because it was liberated in this way could be beneficial, could be helpful.These would seem to be the three activities of more intent and time. You know, creative effort at the nonphysical level is very different from creativity at the physical level as you can see.

April 29, 2015

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My Past Lives As A Playwright

http://likesuccess.com/topics/31068/be-or-not-to-beThis post 

Lori: I'd like to know specifically about other playwriting experiences I've had. 

Hilarion: Playwriting has changed a lot over the years and the use of bears in olden times was quite common. You would have to compete with bearbaiting as a major activity whenever you wrote a play in England and that was an excellent spur. You had to do something to capture the attention of others particularly if you presented your play with minimal props on the street and bearbaiting was going on just around the corner. That was what we were referring to.

In addition to this you have had other opportunities be it as inspiration to various playwrights or experiencing it and enjoying some of it yourself. During the Civil War in the south was an opportunity to put on plays and do things that could gather some of the strength, help convert some of the hopelessness and difficulty and you were involved with this.

Unfortunately, much of what was created at such time was destroyed in a fire. This took place in areas that are now adjacent to Charlotte, NC and areas near Vicksburg, Mississippi. In these and other locations people were continuing with their own creativity and we see what might have been some inspiration to this is the music of the instrument, very popular at the time which has since fallen into disrepute and that is the banjo. Many people owned them, they could not afford a piano and this was so easy to make or buy and much sheet music was available for this. You may find that listening to solo banjo or relatively slow banjo songs as some inspiration for remembrance of those lifetimes.

But, so much of your playwriting experience has been that which has been frustrating. Not enough time, not enough energy to put it into action or not enough opportunity available to produce or bring this out to the public. This has been good because then it is sort of a wellspring, a reserve energy that you can tap into saying, yes, I will do this in this life and then as if then those beings you were- wanting to do this, desiring to do this, feed and strengthen this.

That is hard to understand how a past life can be somehow connecting in this life but often times this is accelerated and assisted when you visualize a blue or translucent blue energy around someone you might have been in a past life, as if feeding you, sending you energy now, acting as your friend or compatriot, as someone to love and assist you now. This is perhaps the best way to hold and receive some of that energy.

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What Is My Past Life Connection To Theater?

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Hilarion: Many times it has saved your life in some situations. In others it was somewhat dangerous. Bear baiting and theater was quite common in Elizabethian times and sometimes the crowds would go over to the bear and leave you alone. Those would sometimes be times that in your anger you would stride over to the bear and as you can imagine various troubles would ensue.

Earlier than this it was often a time in which you could earn food, be taken care of, have a sense of prominence, not theater in the usual sense, but entertainment, storytelling, helping others with their own issues, and so on.

As with most of those activities in this life, which have a more profound influence, you can go back to that doorway lifetime in Atlantis to answer to this. The essence of theater was understood at the time. A way in which a deeper aspect of expression was allowed to emerge as a powerful creative light, obviously influenced by Vega, an energy from many levels simultaneously. It was a pure and powerful light. You felt great delight as a little child. You would turn it into stories, use it as inspiration for creative activities. When you grew older you recognized the pure energy would not be enough.

The interesting thing about this, that in your view, through your Atlantean lives, where you witnessed various aspects of theater, exploration of your creative expression of your connection to other people, you actually in Atlantis sent energy, the feeling of that powerful light again, somehow to the future. The equipment or technology was not designed to do that.

But your own sense of the connectivity, the bridge, the alignment, it is this energy which does indeed allow this to transfer. It is very easy to access this now. The way we have usually suggested that people connect to past selves and future selves is quite suitable. If you wish to allow that energy you simply bridge it. So if you allow that energy now, a thankfulness, a gratefulness, in Atlantis of what you did or tried to do and then taking what you learned now; in Atlantis you knew about technology, education, the heart.

This is a powerful useful message you have learned in the intervening years and which you have learned in this life. Therefore you have opened the door. When you send the sense of your heart to the being that you were in Atlantis, you send that being all those helpful energies and you open the door. Then the light that was sent forward from that time to now is more easily received.

Similarly as you project an energy to your future self, when you send a light to your future self, you enhance your ability to receive more easily the energy from your past self and so on. It is through this bridging, that all of these aspects are then enhanced and strengthened naturally.

This is the higher energy of theater. You have seen it many times when someone is in that beautiful, wonderful place,  the character has a powerful message, something valuable for others comes through. It is that energy in its purest sense which was worked with in Atlantis.

Let us give you then an example for you to play with. You are for instance familiar with intrinsic truth, and universal laws. Imagine that somehow presented as a play, people coming to it because it was so amusing, because it was so fun, because there was so much pathos, because the play transformed the nature of their being. But, also because they recognize in their life where they could make a change and that change would be profound and helpful in some aspect of who they are and that change could be different one person to another.  It is that sort of contemplation that has at times drawn your energy to this idea of the truth to be communicated.

That how could easily lie in the emotional aspect, in the feeling sense, in the sense of the modality in which it is to be shared; a movement. It can be a combination of all of these things and that is the area to be explored in addition to the understanding of the truth itself.  In other words, as you move to this next level, as the cycle now comes around again as you incorporate everything from the previous understanding. The aspects of the feeling experience, awareness of the sound experience, sense of movement experience, etc. 

It involves different parts of your own being, and will frequently involve something else, an aspect that you have also dealt with in various times in the past, a sort of letting it all go, letting it come from the heart, letting it come from a place where it isn't at all about figuring out the truth or coming up with the principal, or talking about ideas.  That was perhaps the way of the ancient philosophers which is clearly not applicable to the current day reality.

The problem with getting the big picture of it is that it might take several lifetimes.  Understanding these tendencies toward truth and working with it, combining that with what you understand, with how you might understand it, how your emotions are received, how you share from one to many and all of that, well it’s a big job. There’s a lot to it.

This understanding has eluded many beings on your planet.  Many who have come to a high level of awareness and consciousness, many masters, many guides, many helpers. Because after all, the underlying principles, the essential characteristics of truth in different ways have been spoken for a long time, are available in many wonderful books of those of the teachings of all kinds of very high vibrational beings.  But, what difference does it make?  How is it that with the understanding of that, humanity still seems to be plunging headlong into a place in which they are destroying their home?

Probably the most prominent in humanity’s history being the stupidity of war, and yet, the repeated way in which humanity for ages has turned to war for solutions. Understanding the underlying truth is insufficient, being able to communicate it is insufficient, being able to identify the ways in which that communication could be fully received would seem to be an area of potential bearing of fruit that would be helpful and that which your soul has a great deal of interest in.

This is now which you have in your own makeup; that over the intervening years, centuries, you have built this energy in. This means that at the soul level you have another aspect of truth you are now ready to drop in and it may not show up in this lifetime.  But it may be that which being in front of the public; this is something along the line of how those who do not receive and understand the truth directly, that is from the words alone, may receive it, know it, incorporate it.

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My Past Life Association With Hilarion and Channeled Information In Tibet

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Hilarion: In Tibet, for you, there was a long period of great scholarship, learning about the planet and the many technologies devised at the time that would be in the general category of, "remote viewing," that allowed you to gather information. A group of you learned a lot about this but at the same time because of the nature of the Tibetan way there was a lot of willingness simply to integrate it. You learn a lot and then you would stop. You hold those energies in meditation, you work with them by all the different levels that they mean to you and others. In this way, you were part of this group, all doing this together.

This particular lifetime was one in which you gained a great deal of respect for each other and at the same time were able to re-acquaint yourself with many of the more profound truths that transcended anything that was presupposed by the Tibetans at the time. The result of this scholarship was a continuation of some of this learning into the intermissive (the time between lives) in which you began to look out into the world and asked the question, “Where could I have some more profound influence? Where could the use of this information have benefit in the world?” This called in our energy (Hilarion) and as part of this group overshadowing it in various ways in a very gentle or subtle level and then while you were physical we now made our appearance at a more concrete level for you.

In this way, in the intermissive, you and many others co-ordinating in different fashion were able to examine and look at all of these important issues and recognize that the potential to bring some of this forward could come through some unusual paths. Those unusual within the context of the world, such as channeling; such as the application of channelled information; such as the acknowledgement that the channeling process comes from the interaction across the dimensions of the physical and the nonphysical beings and so on.

So, in this way a more concrete relationship was established in regards to this information. How might this manifest in the world was not predetermined. Rather, you would just sort of see how it went. But, as more might show up, there would be way much more help and assistance if it seemed like it would go in a positive direction and in this way you would be drawn to look at it, to write about it, to share it and so on and so forth.

So, in this way you really can't answer this question without including the Hilarion influence, the influence and concept of the Emerald ray, the awareness of the energy of information as distinct from various other paths and other ways of understanding.

All of this leading in its own way to the more profound question: "What will you do with it?" On the intermissive side you may then form a new group and have other levels of information available and then guide and assist others in the world in various ways. At the physical level, you may choose to bring this forward in various ways to see how other people respond to it. But, you may also have at times frustration with this as if that which is ahead of its time, that which is not so accepted within the current status quo, etc.

Well, these sorts of energies, and the energy of frustration and the energy that is termed at times, “The Cassandra Complex,” that is a prophet who spoke the truth but nobody paid attention to her or believed. But, it is important to recognize here that you are working with this question. "What to do with it?" Your approach is very different and that is wonderful that each person who confronts this issue would have a different approach to it, a different way of accepting it, understanding it, writing about it, speaking about it, whatever. All of these could contribute in a way that cannot yet be seen. Coming together in some integrated whole perhaps, some deeper understanding that may come through in the next intermissive (time between lives).

But, in the meantime you all have been able to listen and learn from some of the hints, some of the things you found in Tibet, some of the things you have been reminded of in the intermissive about the consolation side of this quest for clarification. That consolation side is simply that somehow it will be fun. Somehow, you will have an enjoyment of the experience of the information seeking or the truth revealing or the new areas that can be explored technologically. That it could be fun. That it could be enjoyable. This might not seem very important but it is. Because it must be that which is enjoyable if it is that which is to be continued and an inspiration to others and of value in ways beyond that what you can see. That is the nature of what it is to be a human; that the enjoyment, the consolation and the clarification, well, they are one and the same in many ways in a unique way for humans.

Yes, there is the important sort of pattern that you’ve seen; the destruction, the struggle, the crying out of humanity in the midst of this, it doesn't stop. You have seen it with hurricanes and earthquakes and there are so many ways in which this can happen on every level at every side. The preservation of as many souls as possible continues.

But, the crying out, the struggling with these energies, this is that which bears heavy at times upon your heart, upon your consciousness as you look in the world and understand what is happening. You have the strength for this not to resist it but to allow it simply to flow through you. To cry with the victim, to release the tears of anguish in the midst of struggle and difficulty as if it was a part of your own and then to say, “this too shall pass.” These energies shift over time as people reconstruct, as they learn again, as they understand in a new way and so on.

Remembering this sometimes helps for the very simple reason that as you connect, as you have that release you are saying then by your consciousness so you too, in the midst of this struggle can release, can come to a place of peace. Because in that place of peace you will cope with the difficulties much better with more intuition, with more understanding with more love than you will if you are in a state of panic or confusion or difficulty and struggle.

No, you can't tell somebody when they're in the midst of it, “don't panic.” But, you can show them by having your own heart open and allowing those energies to flow through. So, that energy is recognized and acknowledged as a part of this too and it is the result of the intensification of rapid media coverage by which everyone in the world knows about these difficulties in a way that was not possible previously.

The result of this is simply that you are more connected. Such a connection can lead to new solutions, new awareness and new understanding. You may not think this is true. But, it is not only possible but that which is now the encouragement and perhaps even at times inspiration from your guides and helpers. The idea that you can find even within humanity's most difficult, darkest moments something joyful, something revealing, something that clears away some past karma but ultimately that which leads to greater love.

http://hilarion.com